Apr. 30th, 2009

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Pams House Blend

Transgender Rights go down in defeat 24-0 in New Hampshire Senate


Concord – The New Hampshire Senate today unanimously rejected a bill that would have extended anti-discrimination laws to transgendered people.

House Bill 415 would have protected those with sexual identity issues in areas of housing and employment, much the way the state’s laws protects others from discrimination on the basis of color, race, religion or sexual orientation.

Those who fought the bill said it would open women’s bathrooms, changing rooms and locker rooms to sexual predators who could raise a defense in court that they were sexually confused.

The 24-0 vote to kill it came after Democrats blasted opponents of the bill for dubbing the measure the “bathroom bill,” a move they said created misunderstanding and fear among the general population.

They also criticized the press and media for picking up on the nickname, saying they became an unwitting partner in the effort to continue denying a part of the population its civil rights.

“Shame on you,” said Sen. Jacalyn Cilley, D-Barrington, as she accused opponents of “political posturing and gamesmanship.”

Bill supporters said discrimination of any kind is wrong, and that state law should protect all citizens equally. They said there have been no bathroom incidents in the 13 states that have similar laws on the books.MORE?
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This after having come one step closer to gay marriage.
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Blacks and immigrants: from ‘either-or’ to ‘both-and’

While tea-baggers dominated the headlines over the past few weeks, another movement was quietly working to weave together communities that some want to see pitted against each other. The Black Immigration Network, a coalition led by the Black Alliance for Just Immigration; Which Way Forward; and the Third World Coalition of the American Friends Service Committee, recently announced itself as “the first national network concerned about immigration issues and racial equity issues surrounding both African Americans and immigrants of African descent.”
By bringing visibility to the shared interests of “native born” Black Americans and Blacks as immigrants, the Network counters the factionalism that have stymied strategic alliances in the past. The mission statement of Which Way Forward, a project of the Chicago-based Center for New Community, declares:

“While we recognize that throughout the history of the United States there have existed tensions between the African American community and immigrant communities, Which Way Forward rejects that any past, present or future frictions between ‘Blacks and Latinos’ or ‘Blacks and immigrants’ grant permission to ignore our responsibility in building an America free from political, economic and social discrimination based on race.”
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Unicorns.

Apr. 30th, 2009 07:27 pm
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Alvin Baltrop



At the age of 26, Alvin Baltrop began photographing what was going on at Manhattan's West Side piers. The area, full of abandoned warehouses and dilapidated industrial piers, became a temporary home for queer teenage runaways and a cruising spot for gay men. It was a place that was under the radar. People went there to do drugs, muggings were common and so, unfortunately, were rape, murder and suicide. Baltrop's camera captured gay public sex, the public art of muralist Tava, various unknown graffiti artists, as well as pieces by David Wojnarowicz, who also visited the piers. Baltrop documented homelessness, death and the stark decay of run-down warehouses with depth and grace.

Of course, not everyone saw it that way. The mainstream art world, even the gay portion of it, couldn't see the value in Baltrop's work. Hostile reactions to his pictures were common. One curator he showed his portfolio to likened Baltrop to a sewer rat because of the content of his photos. Most art gallery owners and academic art critics could only see dirty homeless fags fucking in an abandoned warehouse, and stopped there.

According to his close friend and assistant, Randal Wilcox, gay art galleries were the most unreceptive to the late photographer's work.

"Al Baltrop endured constant racism from gay curators, gallery owners and other members of the 'gay community' until his death,” said Wilcox. “Many of these people doubted that Baltrop shot his own photographs; some implied or directly told him that he stole the work of a white photographer. Other people who were willing to accept the photographs treated Al as though he was an idiot savant. Other people stole photographs from him."[you all remember that Hollywood article we were discussing?]

It didn't take long for Baltrop to get the picture. He subsequently withdrew from the art world and focused more of his energy on photography. As a result of his experiences, his work received very little attention during his lifetime. He had a few small shows in New York, one at the Glines, a gay non-profit, and another exhibit at the East Village gay bar where he sometimes worked as a bouncer.

After his death, his work received a bit more attention. Since 2004, his work has been show internationally. In February 20008, ARTFORUM published an article on Baltrop including several reprints of his photographs. Most recently, the Whitney agreed to purchase one of his photographs for their permanent collection.MORE

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